Sunday, April 24, 2011

Writing Revelations and Fun Alliterations

Sights and Sounds: The first revelation I had about electronic media writing I found on page 6 of the book. Hilliard states, “The writer must be able to write for the eye and ear, in addition to mastering the use of words.” When I thought about writing—even for the media—before this class, I never thought that the writer would be outlining visuals as well as dialogue. Now I know that if writing for any visual type of production, it is the responsibility of the writer to take into account visuals and sounds when writing the script. This is especially true of television, where visuals should take precedence over dialogue if it can capture the desired effect.

Image Courtesy of Armin Hofmann


“And Now Our Feature Presentation”…Or Is It?: Chapter 6, “Features, Documentaries, and Reality Programs” discussed the differences between features and documentaries and explained the importance of each. I never really knew the difference between a feature and a documentary until reading the chapter. On page 214, Hilliard says that “the feature principally should inform; the documentary principally should make the audience think and feel.” This is important to know if one is supposed to write for a feature or documentary. A feature should be more informative and a documentary should be more poignant. Thanks to Domenica’s blog post on chapter 6 for the great quote!

Image Courtesy of Crunch Gear

Format This!: Possibly the most important thing that I learned about electronic media writing in this course is how to format a script. When scripting for television, most writers use two columns; the left column contains video cues and the right contains sound cues. When scripting for film, however, writers make a one column script. On page 55, Hilliard states that “all dialogue is typed within a column approximately 3 inches wide running down the center of the page.” This is important because this is where everyone on a set will be expecting to see the actual dialogue of the script. It would confuse everyone, including the actors, if their lines were not in the center of the page.

Image Courtesy of The Ninth Configuration

Advertisements—Good vs. Evil?: In chapter 4, Hilliard talks about commercials, public service announcements, and promotions. When watching television, I see all commercial breaks as a nuisance and don’t really try to distinguish the types of advertisements I am seeing. This chapter taught me that there really are different types of advertisements and different effort goes into each type. This quote, found on Jim C.’s blog post, explains how a public service announcement (PSA) is different from a commercial: “The PSA is similar to the commercial except that it does not sell a product or service for money, but is made on behalf of a nonprofit organization or activity and can include advancing an idea or policy” (Hilliard 71). On the other hand, commercials try to sell a product or service, and promotions are advertisements for a television network or program. Here is an example PSA by Above the Influence.



Make the News Sexy: Chapter 5 in Hilliard’s book discusses news programs. A very important part of a news piece is the lead. The lead should contain the five “W’s:” who, what, where, when, and why. Hilliard states that writers should “begin the stories with clear, precise information. The opening should be, as much as possible, a summary of the entire story” (Hilliard 124). In order to keep the audience interested and intrigued, the lead must be informative and provocative, or as Dr. W. would say, “sexy.” Thank you, Tara, for the quote.

Image Courtesy of The Autism Genome Project

What’s All the Fuss About Interviews?: Interviews allow you to feel like you’re having a one-on-one conversation with someone famous, or at least important. That is why they are so interesting to us. There are three major types of interviews: “…the opinion interview, the information interview, and the personality interview. Any given interview can combine the elements of all three” (Hilliard 224). The most common ones I see are personality interviews on late night talk shows. These types of interviews are human interest, feature story interviews. Thanks to Tara again for the quote! Here's an interview with Lady Gaga.



The New Music Video: Some music videos these days have nothing to do with the lyrics of the song. The best example of this would be Lady Gaga. Watch her “Bad Romance” video below to see what I mean by this. Hilliard states that every aspect of a music video "must have an integral relationship with the music and the performer,” but I don’t really think that’s true anymore (315). It was probably more true when music videos were first premiering.



How Did Shakespeare Do It?: It is generally believed that William Shakespeare was the greatest playwright of all time. That is because he was good at creating conflict. “A play’s plot structure is based on a complication arising from the individual’s or group’s relationship to some other force”—in other words, a conflict (Hilliard 394). The conflict should be presented early on in the play. Following the conflict is a series of crises or complications that build and lead toward a final climax. The climax is the turning point where one force wins and the other loses. Plot remaining after the climax is known as the resolution. Shakespeare had this formula down pat. And if you did too, maybe you could be the next Shakespeare.

Image Courtesy of The Mary Sue

Creativity is A Gift: In his final chapter Hilliard concludes that writing is a creative process. One must be creative as well as know the formats and particular types of scripts in order to be a good electronic media writer. Hilliard also states that “good creative writing cannot be taught” (Hilliard 406).

Image Courtesy of Apt Design

So You Think You Can Write?: One very important thing I learned about writing as a career is that companies are not only looking for awesome writers, but they are looking for well-rounded people as well. “Station managers look at your transcript for such courses as history, psychology, political science, and sociology. They want you to be a full, rounded person” (Hilliard). You must also have experience. Hilliard recommends taking classes on particular aspects of writing, as well as social and political science courses that give you the background for thinking, reasoning, and understanding. Hopefully my transcript will look good enough to employers.

Original Image Courtesy of Gear Live

Wednesday, March 30, 2011

Script #3: Conan O'Brien Interviews Ricky Gervais


SCENE #1: “CONAN WEEKNIGHTS AT 11/10c” AND TBS LOGO APPEARS ON SCREEN
Music plays in background.

SCENE #2: RICKY GERVAIS AND CONAN O'BRIEN APPEAR ON SCREEN, GERVAIS IS SIPPING WATER
Crowd cheers
Conan: Ahh. Mmm.
Gervais: Thank you.

SCENE #3: GERVAIS AND CONAN SIT UP
Conan: How are you? Nice to have you here.
Gervais: Oh, it’s great to be here. You have a nice new studio.
Conan: This is new, this is a new experience.
Gervais: Yeah, yeah it’s quite different.
Conan: Giant moon, big fake moon behind you.
Gervais: Actually, the, uh, studio was easier to find than the channel on the TV.

SCENE #4: CONAN HITS TABLE, BRINGS HAND TO FACE
Conan and Gervais laugh, crowd laughs

SCENE #5: GERVAIS ACTS OUT CHANGING THE CHANNEL WITH A REMOTE
Gervais: But I persevered.
Conan: Yeah, really, it takes a while.
Gervais: I didn’t, I didn’t know…

SCENE #6: PAN IN ON GERVAIS
Gervais: … there were that many channels, to be honest.

SCENE #7: PAN OUT TO CONAN AND GERVAIS
Conan: I didn’t until we came to this channel, I didn’t realize. And I’ll be honest with you, I sometimes forget where we are in Los Angeles.
Gervais: Yeah, yeah, right.
Conan: What are we on here?
Richter: I have no idea.

SCENE #8: PAN OUT TO SEE ANDY RICHTER IN SHOT
Richter: I always get stuck on the…

SCENE #9: CLOSE-UP ON RICHTER
Laughter
Richter: …costume jewelry, then I just…
Gervais: Oh, wait you, no you, you go through that…

SCENE #10: PAN BACK TO CONAN AND GERVAIS
Laughter from crowd throughout scene
Gervais: …You keep going, you go through costume jewelry and eyebrow plucking channel, then you know.
Conan: And then eventually you find…
Gervais: Osama Bin Laden’s got a chat show just before yours.
Conan: It’s very good. He’s killing us with the bookings. Uh, now, uh tell me, let’s talk about your gig that’s coming up: The Golden Globes. People love it when you host this show, you’re very good at it. There was a perception a little bit last year that you, you were very good, but you didn’t go for the jugular.
Gervais: Uh, that’s what I think, I think, I think I…

SCENE #11: CLOSE-UP ON GERVAIS, HE POINTS TO CROWD
Laughter from crowd
Gervais: …In retrospect, I think I held back a little bit. You know, I didn’t wanna—I didn’t wanna offend anyone, but I didn’t wanna be totally ou—well…She loved it.

SCENE #12: PAN OUT TO CONAN AND GERVAIS
Laughter from crowd
Conan: Yeah, she—one out of two hundred people always will.
Gervais: But you know, I just wanna do, uh…

SCENE #13: CLOSE-UP ON GERVAIS
Gervais: …I wanna do a proper job this year. The thing is I haven’t run anything by them. The good thing about it is that they don’t wanna see anything, they said that last year. I don’t show them the script, and um I had to tell them about one thing I wanted to do. ‘Cause I need—it was a bit of a stunt—and I needed their cooperation and I needed a costume, and I told them and they said ‘No we can’t do that.’ So I…
Conan: Oh, they turned you down already?

SCENE #14: PAN OUT TO CONAN AND GERVAIS
Gervais: So I’m not telling them anything.
Conan: Can you tell us what that idea was? So we, we know?
Gervais: Yeah…

SCENE #15: CLOSE-UP ON GERVAIS
Gervais: It wasn’t that—yeah, um. No what it was…
Conan: Maybe we could use it.

SCENE #16: PAN OUT TO CONAN AND GERVAIS
Gervais: I wanted it to be the opening, you know…

SCENE #17: CLOSE-UP ON GERVAIS
Laughter from crowd
Gervais: Rick—‘Please welcome Ricky Gervais’ and I was gonna come out dressed as Adolf Hitler…Right?

Monday, February 28, 2011

Script #2: Charlie Brooker's TV News


SCENE #1: STATIC - CHARLIE BROOKER SITTING AT “newsWIPE” DESK WITH VIEW OF LONDON BEHIND HIM
Static beep.
Brooker: Before long a standard news report visual language established itself. One that’s immediately recognizable to anyone. Me has this report.

SCENE #2: ZOOM-IN ON THREE SKYSCRAPERS
Brooker VO: It starts here with a lackluster establishing shot of a significant location.

SCENE #3: SHOT OF BROOKER WALKING IN ALLEY TOWARDS CAMERA, WHILE PEOPLE WALK ALL AROUND HIM
Sounds of traffic and people.
Brooker: Next they walky-talky preamble from the altar, pacing steadily towards the lens, punctuating every other sentence with a hand gesture and ignoring all the pricks milling around him, like he’s gliding through the fucking Matrix, before coming to a halt and posing a question: What comes next?

SCENE #4: 3 SHOTS OF PEOPLE WALKING OVER A BRIDGE
Brooker VO: Often something like this, a fellow shot designed to give your eyes something to look at while my voice babbles on about facts.

SCENE #5: CAMERA STOPS, THE COLOR TURNS GRAY, FACTS ARE LISTED ON THE SCREEN: APPEAR, ONE BY ONE, ON THE SCREEN
Brooker VO: Sometimes it’ll slow down to a halt, turn monochrome, and some of those facts will appear one by one on the screen.

SCENE#6: SHOT OF OVERWEIGHT PERSON IN WHITE SHIRT, GREEN SHIRT, RED, YELLOW, AND BLUE STRIPED SHIRT, TEAL SHIRT, AND BLACK COAT
Sounds of traffic.
Brooker VO: This is followed by the obligatory shots of overweight people with their faces subtly framed out, after which the report is padded out with a selection of lazy and pointless vox pops.

SCENE #7: SHOT OF MAN #1 BEING INTERVIEWED
Sound of people and traffic.
1st Man Interviewee: I usually get some inane chatter from people.

SCENE #8: SHOT OF YOUNG WOMAN BEING INTERVIEWED
Sound of people and traffic.

Woman Interviewee: I think they do have too much. I think what we wanna hear is actually what’s happening and not what other people think of it.

SCENE #9: SHOT OF MAN #2 BEING INTERVIEWED
Sound of people and traffic.

2nd Man Interviewee: I hate these same sound bites.” MUTTERING. “I don’t want some bunch of opinion news. No.

SCENE #10:
PEOPLE WALKING IN HIGH-SPEED FROM DIFFERENT ANGLES

Brooker VO: Another bit of dull visual abstraction to plug another gap now before the report segues gracefully into a bit of human interest…


SCENE #11: SHOT OF MAN SITTING AT KITCHEN TABLE OPENING MAIL

Brooker VO: …courtesy of some dowdy man opening letters in a kitchen and explaining how he’s been affected by the issue.


SCENE #12: “Dowdy Kitchen Man” APPEARS ON BOTTOM LEFT OF SCREEN

Man in Kitchen: When I’m watching the news I don’t really, ya know, there’s a person talking to me, telling me what’s going on and…


SCENE #13: CLOSE-UP ON MAIL, THEN ON MAN’S FACE

Man in Kitchen: …I don’t really listen to what they’re saying. It’s just news. It’s just news.


SCENE #14: SHOT OF GRAPH BEING ILLUSTRATED, “INTEGERS” ON VERTICAL LINE, “NUMBERS” ON HORIZONTAL LINE

Brooker VO: He unfortunately was boring so to wake you up, this is an animated chart…


SCENE #15: SHOT OF ILLUSTRATED SILHOUETTE OF FAMILY, WORD “AVERAGE” PRINTED OVER PICTURE

Brooker VO: …this is a silhouette representing the average family,…


SCENE #16: DRAWING OF MAN IN FRONT OF LIGHTHOUSE, LASER BEAM CUTS OFF HIS HEAD

Brooker VO: …and this is a lighthouse keeper being beheaded by a laser beam.


SCENE #17: SHOT OF PEDESTRIANS, STREET SIGN, AND PIPE IN A WINDOW

Brooker VO: As we near the end of the report, illustrative shots of pedestrians and signs and a pipe at a window…


SCENE #18: SHOT OF BROOKER STANDING IN FRONT OF A BUILDING WITH PEOPLE WALKING BEHIND HIM

Sounds of traffic.

Brooker: And then the final summary, ending on a whimsical shot of something nearby, accompanied by a rise sign-off.


SCENE #19: PAN UP TO SIGN OF “REGENT STREET”

Brooker VO: If you’re lucky, a bit of wordplay fit for a king, or in other words ‘Regent Street.’ Charlie Brooker, Newswipe, London.


SCENE #20: “BBC FOUR Newswipe” LOGO APPEARS ON SCREEN

Static beep.

Monday, February 7, 2011

Bud Light: "Product Placement"


SCENE #1: TWO MEN SWORD FIGHTING - FALL ONTO TABLE - SEE BRUSH-X BOTTLE
Swords clank, sounds of struggle.
Director: Cut!

SCENE #2: DIRECTOR SWINGS HIS TV SCREEN TOWARDS HIM
Bell rings.
Director: What's that doing on my set?!

SCENE #3: CLOSE-UP ON ASSISTANT
Assistant: Product placement, sir. Whenever we feature a product in a scene, we get tons of free stuff.

SCENE #4: CLOSE-UP ON DIRECTOR - SWINGS SCREEN BACK
Director: Here we go.

SCENE #5: SHOT OF VILLAIN HOLDING MISTRESS CAPTIVE - HE WAVES HIS SWORD
Swords clank.
Mistress: Ah! My lord!

SCENE #6: HERO JUMPS THROUGH STAINED GLASS "BUD LIGHT" WINDOW
Glass breaks, adventure music plays in background.

SCENE #7: HERO FIGHTS HIS WAY THROUGH BAD GUYS
Swords clanking, sounds of struggle, music continues.

SCENE #8: BUD LIGHT BANNERS FALL IN BACKGROUND
Swords clanking, adventure music continues.

SCENE #9: CLOSE-UP OF HERO HOLDING A BUD LIGHT IN HIS HAND WHILE FIGHTING BAD GUY BEHIND HIS BACK
Swords clank, adventure music still playing...

SCENE #10: VILLAIN SEEN HOLDING MISTRESS – HOLDS UP SWORD
Sound of sword cutting through air.

SCENE #11: HERO TURNS AND SEES VILLAIN
Victorious horns sound.
Hero: Really?

SCENE #12: CLOSE-UP ON VILLAIN AND MISTRESS
Horns continue.

SCENE #13: HERO THROWS THE BUD LIGHT BOTTLE AT THE VILLAIN AND KNOCKS HIM OUT
Bottle hits villains head, sounds of someone hitting the jackpot.

SCENE #14: THE MISTRESS IS FREE -WALKS TOWARD HERO
Mistress sighs.

SCENE #15: HERO KNEELS IN FRONT OF HER
Hero: My lady.

SCENE #16: BUD LIGHT TRUCK ZOOMS BY IN BACKGROUND
Adventure music stops, truck honks and screeches to a stop.

SCENE #17: CUT TO IMAGE OF BUD LIGHT BOTTLES IN ICE
VO: The sure sign of a good time. The just right taste of Bud Light. Here we go.

SCENE #18: "BEHIND THE SCENES" SHOT OF DIRECTOR AND ASSISTANT WITH A MAN IN BUD LIGHT ARMOR - TWO MEN SWORD FIGHT ON STAIRS IN BACKGROUND
Swords clank in background.
Director: Hm, more Bud Light?

Thursday, February 3, 2011

Script #1: Facebook in 60 Seconds

The Dazzling Daffodils

R: Did you know…that there are 500 million people on Facebook?

L: …that 70% of Facebook users are located outside the U.S.?

T: …that 29% of users are between the ages of 18 and 25?

J: …that 88% of people are aware of Facebook?

R: …that there are more women on Facebook than men?

L: Did you know…that 41% of Facebook users log on every day?

T: …that 12% of Facebook users update their status every day?

J: …that 30% of users log in on a mobile device?

R: …that 40% of users follow a brand?

L: …that Facebook is a tool for connecting old friends, family, and co-workers?

T: Did you know…that Facebook bridges international gaps?

J: …that Facebook creates social, business, and professional opportunities?

R: …that Facebook is a go-to for current events?

L: …that Facebook is a good tool for communication?

T: …that Facebook is easily accessible via smart phones?

J: Did you know…that Facebook is a good tool for special deals and coupons from your favorite brands?

R: …that Facebook can be used to archive your life, through photos, messages, and status updates?

All: Did you know…that if you’re not on Facebook you’re invisible?

All: Be visible.

Thursday, January 27, 2011

Small Town Girl with Big Media Dreams

Hello, everyone! My name is Rachel. I am from a little town named Seymour, CT, kind of near New Haven if you know where that is. If not, here is a picture I found courtesy of Google.

Over the break, I saw Black Swan, one of the greatest movies I've seen in a while. It was a really good thriller, and the way the plot came together at the end was just amazing. Darren Aronofsky is a great director. If you haven't seen any of his movies, I suggest you Netflix them ASAP. Here is the trailer for his newest film, Black Swan, starring Natalie Portman.




One thing I like about our media culture is that it is very easy to find information. I can't imagine having to go to the library every time I want to know something random, like what was Abraham Lincoln's middle name (he didn't have one, by the way). Thank goodness for Wikipedia, right? The one thing I dislike about our media culture is Facebook. It is nothing but a huge waste of time, where you can sit and stalk people all day.

I'm honestly not sure what I want to do with my Communications degree from Champlain, but I can see myself owning my own restaurant when I'm older. Not very related, but oh well.

Thursday, January 13, 2011

Delving into the Media

Hello, everyone! My name is Rachel. I am from a little town named Seymour, CT, kind of near New Haven if you know where that is. If not, here is a picture I found courtesy of Google.

Over the break, I saw Black Swan, one of the greatest movies I've seen in a while. It was a really good thriller, and the way the plot came together at the end was just amazing. Darren Aronofsky is a great director. If you haven't seen any of his movies, I suggest you Netflix them ASAP. Here is the trailer for his newest film, Black Swan, starring Natalie Portman.




One thing I like about our media culture is that it is very easy to find information. I can't imagine having to go to the library every time I want to know something random, like what was Abraham Lincoln's middle name (he didn't have one, by the way). Thank goodness for Wikipedia, right? The one thing I dislike about our media culture is Facebook. It is nothing but a huge waste of time, where you can sit and stalk people all day.

I'm honestly not sure what I want to do with my Communications degree from Champlain, but I can see myself owning my own restaurant when I'm older. Not very related, but oh well.